These massive, lustrous pebbles dominate the final section of the current Korean mother-of-pearl lacquerware exhibit at the Asian Art Museum. They are displayed in an adjoining gallery, alongside other contemporary works inspired by the mother-of-pearl concept.
The three giant pebbles by Hwang Samyong (b.1960) are made from lacquer and mother-of-pearl applied to fibreglass. This involves slicing the mother-of-pearl into very thin strips, a technique used on some of the more traditional pieces in the main exhibit.
Each pebble is a different colour, depending on the material used. The dark pebble (2014) uses black-pearl oyster shell from the Philippines and Indonesia. The green pebble (2015) uses native Korean abalone shell. The white pebble (2016) uses white-pearl oyster shell from Tahiti. The artist works from photographs of real pebbles, magnified up to 100 times.
I love how materials lifted from one type of natural object (seashells) are manipulated to recreate another type of natural object (pebbles), and one that you might also find on the seashore, suggested here by the mirrored surface on which the pebbles have come to rest.
Mother-of-Pearl Lacquerware from Korea
Asian Art Museum, San Francisco, CA
29 April to 23 October 2016
Above: Hwang Samyong, Pebble (P1409), 2014; Pebble (P1501), 2015; Pebble (P1602), 2016. Mother-of-pearl and lacquer on fibreglass. Length of longest pebble: 90cm. Crosspoint Cultural Foundation, Korea. Seen at Asian Art Museum, San Francisco in 2016. Photo: SF.